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The Great Stupa of Sanchi, the oldest stone structure in Buddhist architecture

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Country Record

Oldest Complex in India

複合体UNESCO

Sanchi

Seyfi Cem Baskin

साँची269 紀元前 – 1200 西暦

A hilltop complex in Madhya Pradesh containing the oldest stone structure in Buddhist architecture — the Great Stupa commissioned by Emperor Ashoka in the 3rd century BCE — whose four carved gateways (toranas) rank among the greatest achievements of ancient Indian sculpture.

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関心 68

所在地

インド

23.48°N · 77.74°E · アジア

Great Stupa founded

c. 269–232 BCE by Emperor Ashoka

Stupa dimensions

36.6 m diameter, 16.5 m height

Toranas added

1st century BCE – 1st century CE (four gateways)

Buddha representation

Aniconic — Buddha shown only by symbols, never in human form

UNESCO

World Heritage Site since 1989

Significance

Oldest stone Buddhist monument; prototype of all Asian stupas

Graphite pencil sketch banner of Sanchi
Graphite pencil sketch banner of Sanchi

“Sanchi is the physical origin point of Buddhist monumental architecture.”

所在地

概要

Sanchi sits on a sandstone hilltop in the Raisen district of Madhya Pradesh, 46 km northeast of Bhopal. The site was chosen for Buddhist monasticism in the 3rd century BCE — possibly because of its proximity to Vidisha, a major city of the Mauryan empire and birthplace of Devi, the wife of Emperor Ashoka. According to Buddhist tradition, Ashoka's son Mahinda, who carried Buddhism to Sri Lanka, was raised and ordained at Sanchi.

The Great Stupa (Stupa No. 1) is the earliest stone structure in Buddhist architecture. It began as a simple hemispherical mound of brick and earth commissioned by Ashoka (c. 269–232 BCE), enclosing relics of the Buddha. In the 2nd century BCE, during the Shunga dynasty, it was enlarged to roughly twice its original size, encased in stone, and given a circumambulatory path (pradakshina path) on a raised drum. The stupa now stands 16.5 m high with a diameter of 36.6 m, topped by a three-tiered honorific umbrella (chattravali) and surrounded by a massive stone railing.

The four toranas (gateways) added in the 1st century BCE–1st century CE are the masterwork of early Indian narrative sculpture. Each gateway consists of two square pillars supporting three curved architraves, every surface densely carved with scenes from the Jataka tales (the past lives of the Buddha), the life of the historical Buddha, and scenes of worship. The Buddha himself is never depicted in human form in the early gateways — his presence is indicated by symbols (the Bodhi tree, footprints, a parasol, an empty throne) in a convention of aniconic representation that predates the Gandharan introduction of Buddha portraiture. The gateway carvings preserve the most complete visual narrative of early Buddhism that survives: the Maya Dream, the Temptation by Mara, the First Sermon at Sarnath, the Mahaparinirvana, and dozens of Jataka stories are represented.

The site fell out of use after the 13th century, was rediscovered by a British officer in 1818, and was partly excavated and restored in the late 19th and early 20th centuries by John Marshall.

重要性

Sanchi is the physical origin point of Buddhist monumental architecture. The stupa form that spread from India across Asia — to Tibet, China, Japan, Southeast Asia, and Sri Lanka as the dagoba, chedi, pagoda, and stupa — begins here. The toranas are the first great flowering of Indian stone sculpture: carved in an era before Buddha-images existed, they encode the entire early Buddhist visual vocabulary in relief panels that are simultaneously encyclopaedic and artistically commanding. The aniconic convention — representing the Buddha by his absence — raises a philosophical question about representation and presence that resonates across Buddhist thought. Sanchi is also a rare case of a site that preserves stratified Buddhist monumentality across nearly 1,500 years (3rd century BCE to 12th century CE) on a single hilltop.

証拠と解釈

確立された事実と議論が続く事柄を区別する。

確立された事実

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  • An Ashokan pillar inscription at Sanchi confirms Ashoka's personal connection to the site; the polished sandstone pillar capital depicts four lions (similar to the Sarnath capital that became India's national emblem).
  • Reliquary boxes found inside Stupas 2 and 3 at Sanchi bear inscriptions naming their contents as relics of the Buddha's direct disciples Sariputra and Maudgalyayana, confirming the site's function as a relic shrine from the earliest period.
  • The four torana gateways were carved by ivory workers, as evidenced by a Brahmi inscription on the south gateway reading: "gift of the artisans of Vidisha" — identifying both the patronage community and the craft tradition.

学術的推論

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  • The aniconic Buddha convention in the Sanchi carvings — consistently representing the Buddha by the Bodhi tree, the wheel, the footprint, or the empty throne — reflects an early doctrinal position that the enlightened Buddha had passed beyond form and could not be depicted in human likeness.

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このページの引用方法

Atlas Anatolia. (269). Sanchi. Atlas Anatolia. https://atlasanatolia.com/ja/site/sanchi

コンテンツはCC BY-SA 4.0ライセンスの下で提供されています — 再利用の際は出典表示が必要です。

出典

  • A Guide to Sanchi — John Marshall (1918)
  • The Stupa: Its Religious, Historical and Architectural Significance — Anna Libera Dallapiccola (ed.) (1980)
  • Archaeological Survey of India — Sanchiリンク

よくある質問

Sanchiはどこにありますか?

SanchiはIndiaに位置しています。

Sanchiの年代はいつ頃ですか?

Sanchiはおよそ269 紀元前 – 1200 西暦のものとされています。

Sanchiはどの文明に関連していますか?

SanchiはVedic Indian, Mauryan文明に関連しています。

Sanchiが重要な理由は何ですか?

Sanchi is the physical origin point of Buddhist monumental architecture.

Sanchiはユネスコ世界遺産ですか?

はい — Sanchiはユネスコ世界遺産に登録されています。