개요
Palenque stands at the foot of the Chiapas highlands in southern Mexico, where the jungle escarpment drops to the Gulf coastal plain. The site name is Spanish; the ancient Maya name was Lakamha' ("wide waters") or Bàak' ("bone" — the meaning is debated). The city flourished from roughly 226 CE, reached its apogee between 615 and 800 CE under a sequence of rulers beginning with K'inich Janaab' Pakal (Pakal the Great, r. 615–683 CE), and was largely abandoned by 900 CE.
At its height Palenque controlled a large territory in the western Maya lowlands, fighting intermittent wars with Calakmul and Toniná. The architectural canon of the site differs visibly from other Maya centers: buildings are lower and more horizontal, with mansard-style upper floors, large windows and doorways, and roof combs of open lattice rather than solid mass. The Palace — a large multistorey administrative and residential complex built over 200 years — features a four-story tower unique in Classic Maya architecture, the function of which remains debated: astronomical observatory, watchtower, or dynastic monument.
The Temple of the Inscriptions, the largest pyramid at Palenque, takes its name from three panels of hieroglyphic text covering its interior walls — 617 glyphs, among the longest Maya texts known. In 1952 the Mexican archaeologist Alberto Ruz Lhuillier discovered a sealed staircase descending 25 meters into the pyramid's base, leading to a burial chamber containing the intact sarcophagus of Pakal the Great. The stone lid, covered with a dense carved scene of Pakal descending into the underworld (misidentified by some as an astronaut), is the most discussed single object in Maya iconography. Pakal's jade mosaic funerary mask and burial goods confirm a royal interment of extraordinary wealth. Excavations since 2019 have located a second, still-sealed royal tomb beneath the Temple of the Red Queen.
Palenque's hieroglyphic texts were central to the decipherment of Maya writing: the site's dynastic sequence was the first to be fully reconstructed from inscriptions, largely through the work of Merle Greene Robertson and Linda Schele.
